The time of the other video art sample in the CEDINM by the international of the diversity Cultural 21st of may at 9:00 pm at cinema charm, headquarters of FIVAC, Cuba, 2014

Hamlet Armas Pérez, Gleivys Fleites González, Silvia Libertad Avilés Antela, Sinasi Gunes, Anamely Ramos González and Alfredo Fuentes Fernández.

Anatolia, Şinasi Güneş, 02'18'', 2006

MEDIO-MONTE’s Socialisation Society (Project of the European Union), Romania, 2014

Filmele si letter-poemele de mai jos vor fi incluse intr-un performance teatral in iunie 2014
realizat de regizoarea Mihaela Panainte.
The films and letter-poems below will be included in a theatrical performance in June 2014
conducted by director Mihaela Panainte.

www.bochis.ro/monte_medio/film.php?y=4014&id=62

The Tuz Lake, Şinasi Güneş, 03'21'', 2013

THE HUMAN FACTOR: ELMUR CALL FOR VIDEO ART, Spain, 2014

http://www.elmur.net/index.php/gallery/index/3678/a/___/80

Gıcır, Şinasi Güneş, Video Art, 03'03'', 2006

“Ambiguous, Drunk, Dog!” Contemporary Art Exhibition , Cermodern, Ankara, Turkey, 2014

3 Kanallı Video Enstalasyon
Şinasi Güneş

CerModern’in yeni güncel sanat alanı HUB Sanat Mekan, altıncı sergisinde Kitschen Güncel Sanat İnisiyatifi’nin “Müphem , Sarhoş, Köpek” sergisine ev sahipliği yapıyor. 

21.01.2014-01.03.2014 tarihleri arasında görülebilecek olan sergi, yakın dönem siyasi belleğimiz üzerine farklı sanat disiplinlerinden bir araya gelen başkentli sanatçıların gözünden izleyiciye aktarılıyor. 


* BASIN BÜLTENİ

Sanat eseri olarak ele alınmış bir mermer parçası üzerinde yer alan bir çatlak politik midir? Ya da tek bir nota politik olabilir mi? Sanatsal üretim ister istemez, içinde bulunduğu sosyal hayatın izlerini taşır ve her iz tarihe düşülen politik bir hamle olarak elbette okunabilir. Bu anlamlarıyla sanatsal üretim, pekala politiktir diyebiliriz. Peki, sanatçı açısından bakıldığında; “Politik sanatçı” tanımlaması anlam olarak doğru mudur? Hayır. Çünkü her sanatçı, ister istemez politik olarak bir tarafta durur; yani her sanatçı zaten politiktir.

Ancak, politik olmakla, politik meseleleri doğrudan dert edinmek arasında bir fark olduğunu düşünebiliriz. Bu anlamda bazı işler, sanatçılar ve sergiler politik olmanın ötesinde, politik olmayı doğrudan amaçlarlar.

“Müphem, Sarhoş, Köpek!” başlıklı sergi de politik olmayı hedefler.

Sergi üç metafor üzerinden ilerler: Bunlar, ‘Müphem, Sarhoş ve Köpek’ kelimeleridir. Bu üç kelime bu coğrafyada yaşanan yakın dönem siyasi hayatını mercek altına alır ve alt göndermeleri yakın dönem siyasi deneyimlerimize, pratiklerimize yöneliktir. Sergi, bu tema çerçevesinde yaşanan tüm tartışmaları belleğimizde taze tutmak ve bu tartışmaları ileriye dönük dip dalgaları olabilmesini sağlamayı amaçlamakla beraber, farklı sanat inisiyatiflerinden katılımcıları, akademik kökenli ya da serbest çalışan sanatçıları da bir araya getirmeyi hedeflemektedir. Çünkü, bize göre; “Müşterek belleğimiz olduğuna inandığımız yakın dönem siyasi deneyimlerimiz ve pratiklerimiz bizlere birlikte hareket etmenin, bütünleşmenin, ortak haklarımızı birlikte aramanın ve paylaşmanın önemini hatırlattı.”
Kitschen Güncel Sanat İnisiyatifi

Kitschen Güncel Sanat İnisiyatifi tarafından teması belirlenen ve derlenen sergi, HUB Sanat Mekan’da 21.01.2014 tarihinde verilecek olan açılış kokteylinin ardından, 01.03.2014 tarihine kadar görülebilecektir.

Katılan Sanatçılar: Alper Aydın / Baran Çağinli / İlker Çelen / Serkan Demir / Erdal Duman / Fırat Engin / Elif Varol Ergen / Engin Esen / Şinasi Güneş / Bora Gürdaş / Aslı Işıksal / Mustafa İlhan / Ekin Kılıç / Deniz Cemal Koşar / Sılacan Köseler / Umay Yılmaz Kutay / Aykut Öz / Seval Şener / Ali Şentürk / Erinç Ulusoy

Adres: Altınsoy Cad. No:3 06101 Sıhhıye, Ankara, Türkiye
T: 0 312 310 00 00 /144
F: 0 312 310 10 00
W: http://cermodern.org/


“Ambiguous, Drunk, Dog!”

New contemporary art space HUB Art Space of CerModern, in its sixth exhibiton is hosting “Ambiguous, Drunk, Dog” exhibition of
Kitschen Contemporary Art Initiative.

In the exhibition which can be seen between the dates 21.01.2014-01.03.2014 the recent period political memory is being transferred to the visitors by the eyes of the artists of the capital which are gathered together from various disciplines. 

* PRESS RELEASE

Is a crack on a piece of marble which has been considered as an art work political? Or can a single musical note be political? Artistic production is necessarily bears the trace of the social life it is involved and of course each trace can be read as a political move in history. Artistic production in this sense is indeed political. When considered from artist’s point of view; is “Political artist” definition right as a meaning? No. Because each artist necessarily takes a stand politically, thus each artist is already political.

However, we can think that there is a difference between to be political and to occupy oneself directly in political issues. In this sense, some works, artists and exhibitions directly target to be political beyond being political.

The exhibition entitled as “Ambiguous, Drunk, Dog!” also targets to be political. 

Exhibition proceeds over three metaphors: These are the words of “Ambiguous, Drunk and Dog”. These three words hold the recent political life of this geography under a microscope and their sub-references are directed to our recent political experiences, practices. Although the exhibition aims to keep all the discussions fresh under this subject and to ensure that these discussions to be the deep waves of the future, it also targets to gather the participators from various art initiatives and artists with academic origin or those who work individually together. Because, according to us; “Our recent political experiences and practices that we believe that they are our common memory, reminded us the importance of acting collectively, integration, claiming our rights together and sharing.”

Kitschen Contemporary Art Initiative


The exhibition of which the theme was determined and compiled by Kitschen Contemporary Art Initiative, can be visited after the opening cocktail to be held in HUB Art Space on 21.01.2014 until 01.03.2014.


Participating Artists: Alper Aydın / Baran Çağinli / İlker Çelen / Serkan Demir / Erdal Duman / Fırat Engin / Elif Varol Ergen / Engin Esen / Şinasi Güneş / Bora Gürdaş / Aslı Işıksal / Mustafa İlhan / Ekin Kılıç / Deniz Cemal Koşar / Sılacan Köseler / Umay Yılmaz Kutay / Aykut Öz / Seval Şener / Ali Şentürk / Erinç Ulusoy


Address: Altınsoy Cad. No:3 06101 Sıhhıye, Ankara, Turkey
T: 0 312 310 00 00 /144
F: 0 312 310 10 00
W: http://cermodern.org/

BLUEBANANA VIDEO ART CONTEST- LANDAU- GERMANY, 2013

Die Jury hat folgende Künstler für die Teilnahme am BLUEBANANA VIDEO ART CONTEST ausgewählt:

Ana Laibach-Hermann Schulz, Deutschland-Richard Jochum, USA/Österreich-Neil Howe-Australien, Masha Yozefpolsky-Israel, Jenny Vogel-USA, Sue Pam-Grant-Südafrika, Radojica Zarkov-Serbien, Shahar Marcus- Israel, Aleksandra Panisko-Polen, Sinasi Gunes-Türkei, Carl Knickerbocker-USA, Jordan L. Rodgers-England, Wei-Ming Ho-Taiwan, Beate Gördes-Deutschland, Tavarus Blackmon-USA, Simone Stoll-Deutschland, Piotr Lis-Polen, Roman Feduns- Italien

http://www.bluebanana-contest.com

http://www.proart-kultur.de

The Money World, Şinasi Güneş

The Wedding, Şinasi Güneş

FAÇADE VIDEO FESTIVAL 2013, Plovdiv, Bulgaria

The Tuz Lake_Video Art_03'21''_Sinasi Gunes

FAÇADE VIDEO FESTIVAL 2013

12.09 THURSDAY

18:30 – 19:30 h. Live piano performances in front of the building of the Municipality in “Trakia” district, featuring students from the National school of music and dance “Dobrin Petkov “.

19:30 h. Video mapping: “Meeting Point” from Federico Campanale

20:00 h. Opening ceremony simultaneously at the Lapidarium in the Old Town, The Municipality in “Trakia” district, and Bratska mogila Memorial in “Zapaden” district , with live online video streaming.

20:30 h. Video screening

Lapet – Anshul Sinha, 07:00 min. 2012, (India)

F.A.Q. – Mia Nikolic, 02:08 min., 2013, (Serbia)

A voice is a void is a voice – Kate Tessa Lee, 04:00 min. 2011, (Czech Rep.)

Standing Silence – Ines von Bonhorst, 10:00 min. 2012, (UK)

Stand-by for Broadcast – Catrin Richards, 02:56 min., 2013, (UK)

Up Looking Down – Dana Ruttenberg / Oren Shkedy, 02:30 min., 2012, (Israel)

Destruction – Morteza Basravi, 03:46 min., 2012, (Iran)

Different space, different time – Bianco-Valente, 02:14 min., 2012, (Italy)

The same experiment as you – Ivan Divanto, 04:13 min., 2012, (Italy)

Haptic – Francesco Federici, 01:37 min., 2012, (Italy)

Insert number 7 – Gal Naor, 07:24 min., 2012, (Israel)

Autofocus – Iliyana Kancheva, 01:38 min., 2013, (Bulgaria)

Linenality – Paris Legakis, 06:24 min., 2011, (Germany)

Momentum – Boris Seewald, 06:43 min., 2013, (Germany)

Mela – Ezra Wube, 2011, 01:41 min., (USA)

Between reality and dream – Nana Rosenorn Holland Bastrup, 04:42 min., 2012, (Germany)

201.2 FM – Dénes Ruzsa, 05:36 min., 2012, (Hungary)

The Tuz Lake – Sinasi Günes, 03:21 min., 2013, Turkey

Play Mobil- Khalil Charif, 01:00 min., 2012, (Brazil)

Obsession – Butterflie’s saraband – Fabien Hemard, 05:00 min., 2012, (France)

Blonda Blonda – Dana Ruttenberg / Oren Shkedy, 00:54 min., 2010, (Israel)

Vox Populi – Javier Morales, 04:24 min., 2012, (Colombia)

The way you bow makes me smile – Thomas Nondh Jansen, 03:10 min. 2013,(Netherlands)

Double Bind – Gilivanka Kedzior & Barbara Friedman, 04:08 min. 2010, (France)

Identifying Europe – Sarah Bijlsma, 02:03 min., 2013, (Netherlands)

A very large increase in the size…- Max Hattler, 02:00, 2013, (UK)

Child of the wind- Amir Azar, 01:35 min., 2012, (Iran)

The wind and Taar- Amir Azar, 02:34 min., 2012, (Iran)

Auferstanden aus Ruinen – Tilmann Meyer-Faje, 03:46 min., 2011, (Holland)

Mues/Molts- Florent Schwartz, 03:34 min., 2013, (France)

http://www.facade.arttoday.org/en/2013/program

http://facade.arttoday.org/doc/facade%202013%20PRINT.pdf

36 Konstantin Stoilov Street 4000 Plovdiv, Bulgaria

Tel./ fax +359 32 638868

E-mail: office@arttoday.org

CHAPUL (WHAT WE HAVE LEARNED ABOUT LOOTING SO FAR), Berlin, 2013, Germany

berlinerpool cordially invites to the exhibition #

CHAPUL

(WHAT WE HAVE LEARNED ABOUT LOOTING SO FAR)

A special show about the situation in Turkey.

Initiated by Erkin Gören and Kreuzberg Pavillon

with support by berlinerpool.

Date

Wed. June 12th , 2013 / 20-24h , 8-12 pm

Venue

Kreuzberg Pavyonu

Naunynstrasse 53 - Gartenstudio

10999 Berlin

In the show #Chapul "What we have learned about looting so far", Turkish artists living in Berlin are using the exhibition space as a forum to introduce the current acts happening all over turkey.

Artists files of following berlinerpool members will take part in the exhibition Chapul:

Adam Ozan Duru, Halil Akdeniz, Rey Akdogan, Gülcin Aksoy (Ozdemir), Selda Asal, Nancy Atakan, Tufan Baltalar, Banu Birecikligil, Daghan Celayir, Fulya Cetin, Cagla Cömert, Nurten-Ertugrul Dogan, Ipek Duben, Nezaket Ekici, Aysegül Eren, Ismet Ergun, Genco Gulan, Sinasi Gunes, Gul Ilgaz, Gozde Ilkin, Ekin Onat, Nazli Eda Noyan, Nur Özalp, Dogan Özdogan, Denizhan Ozer, Any Sibel Oztuerk, Zeyno Pekunlu, Neriman Polat, Gulay Semercioglu, Emre Senan, Ani Setyan, Elif Sezen, Gonca Sezer, Özlem Sulak, Süvari Gökce, Sencer Vardarman, Secil Yaylali

FB event: https://www.facebook.com/events/133068956896339

Website: http://www.kreuzbergpavillon.de/

Heil Tayyip!_Sinasi Gunes

Street Art Of Chapuls_Sinasi Gunes

Cats in Taksim_Sinasi Gunes